Madelline Vicencio’s work conceptualizes the perception of placement. How one's emotional experiences with identity can cope by building an external foundation. The identity can often separate the body from the environment, resulting in a powerful force to manifest a safe space. In her case, these spaces construct physical entities. Subsequently, her recent pieces narrate the middle ground between -- Texas and Mexico, childhood and adolescence, society and isolation.

Madelline Vicencio is an interdisciplinary painter and muralist. Her most notable mural can be found in Houston’s Czech Center Museum where she binds text with bold and symbolic colors in support of immigration within Texas. In Houston, she attended University of Houston with a Bachelor’s in Painting and a Motion Media minor where she’s explored her interest in clay, paint, and found objects. Experimentation with mixed media demonstrates the raw portrayal of "primal expressionism" which she defines as the unveiling of expressed repression. This concept also references the process of her work, requiring openness and the outdoors to fabricate textures with glued paper, recycled textiles, and plaster.